It is relentless but I’m not sure that it’s much more relentless than it has been,” she adds. We used to do the conventions and the election then we’d feel like we’d get a little break for a year to do other things that are interesting to us. “This is a lot of news, but I don’t think it’s that much different. While New York is still in the middle of the pandemic, with Governor Cuomo recently extending the stay-at-home order until at least May 15, there’s no sign of getting back to the studio.įlanz says that even though the current news output is relentless, she says it feels like this has been the case since the 2016 election when Donald Trump was elected President. It’s been fun to try and figure out how to make this show interesting for the viewers and Trevor.” ![]() ![]() “We can’t make the show and fall back on what we normally do. On the digital side, it feels like Trevor is having as much fun as he can, messing around with how he goes to different cameras and different outfits, which is a fun departure.”įlanz says the whole situation has forced them to come up with new ways of being creative. We might have something finished the night before and post it online. Hedayati tells Deadline, “We are producing stuff all of the time, we’re not as beholden to the show schedule. and Michael Kosta have hosted a March-Madness-style bracket for Trump’s Best Word and they’ve run trailers for Pandumbic and Pandumbic 2, Hedayati’s team has been creating a slew of content that airs both online and occasionally on the linear show. “The cool thing is that with our social digital team, we watch so much internet content, we were inspired to make the show a hybrid between a late-night show and the internet, because that’s what a lot of our fans are, the other stuff they’re watching is paced more similarly.” She adds that the fact that The Daily Show has a busy social and digital media team, run by supervising producer and head of digital content and strategy Ramin Hedayati, helps. Flanz says that this puts more onus on the producers to ensure jokes land. There is also an issue of pacing as Noah has no audience to get feedback from. It’s definitely become a routine, albeit a very weird routine.” In the wake of this whole thing, it’s small potatoes, but it’s been cool to figure out how we can all communicate and get it on the air. “, it felt like we would have never been able to do The Daily Show from all of our individual homes and now we’re doing it every day. However, Flanz adds that they have settled into a routine. It now tapes between 3:30pm and 5:30pm rather than between 6:30pm and 8pm. Flanz says that communication is the trickiest element, with staff no longer able to meet other than on Zoom, and that the team has moved forward filming to ensure a smooth post-process. ![]() There are obviously challenges to making the show under the circumstances. The show has now raised just under $500,000 for Coronavirus charities including City Harvest, No Kid Hungry, Feeding America, Save The Children and NYC Mayor’s Fund for First Responders. We wanted to make sure that viewers were being informed.”Īfter many of the interviews, and at the end of the show, Noah has been promoting a range of charities and the show has implemented YouTube’s donate button on Daily Show and Comedy Central content. The Daily Show has always been a stop for politicians. Even when we interview celebrities, we always ask, is there a cause that you care to discuss, even when they’re coming on to promote a movie, so it wasn’t that hard for us to make the shift. “We’re a lot less of a celebrity stop and much more about information. She adds that they made a conscious effort to speak to experts during the pandemic. “Dr Fauci came to us because he took note that our audience is a younger audience and the idea is to get the message out to younger people, who might not be taking the virus so seriously,” she says. 'The Daily Show' Eyes Midterms As Audience Return Has "Energized" Late-Night Series - Contenders TV: The Nomineesįlanz says that Fauci’s team approached The Daily Show, keen to reach the show’s young audience – the series is the number one late-night show with viewers aged between 18 and 34 as well as young men.
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